Against Me! – White Crosses (8/10)

A raucous caricature of seasoned punk rock and roll, the follow-up album to 2007’s well-received New Wave is at times generic sounding but always unrelenting and unapologetic in its tone.  The album’s eponymous first track White Crosses is a microcosm for whole the album, where the intuitively hostile lyrics “White crosses on the church lawn, I want to smash them all!” are misleadingly played out in the fashion of a jolly Irish drinking song.

Suggested listening environment:  Gym or pub.  If you can find a hybrid between the two, please contact me at b@moetrainstracks.com.

Flying Lotus – Cosmogramma (7.3/10)

This third installment from the nephew of jazz legends Alice and John Coltrane is his best composition to date.  As a manifesto of electro-trip-hop-jazz fusion, Cosmogramma is commendable.  (As something you’d actually like to listen to on the regs, possibly not for everyone)  Occasionally, it will stumble into sounding like a semi-clusterfuck of beats and sound effects, but only occasionally.  For the most part, ‘gramma is gritty yet waxed smooth, both urban and sleek.  All in all, it’s hip and I dig.

Personally, I embrace the changes in band bookings.  Admittedly, I’m not the largest jam band fan in the world (I can only take so much noodling!), so the evolution in booking has been welcomed in my book.  With the noticeable increase in attendees this year, many others must also embrace the changes.  However, in the past few years, we’ve spoken to many jam band purists who feel that Bonnaroo has “sold out” when they turned their back on keeping it jam-centric.

Stagnation of music on a huge festival level is a killer.  I like Widespread Panic, but just how many times can they close a festival?  Phish closing Bonnaroo out in 09 was excellent booking.  They may have played two nights, but their lasting energy helped the burnt out Bonnaroonians to power through the last night.  This past year, Dave Matthews Band closed it out on Sunday night.  Talk about a college kid magnet…  Bonnaroo has successfully avoided musical stagnation by smart and diverse booking.

From The Dead, to Phish, to Panic, then to Jay-Z.  Is this a strong progression?  I feel  that it is.  Actually, I feel as though Mr. Carter’s (Jay-Z) performance at Bonnaroo was one of the best performances (visually and sonically) that I’d ever seen over the years at the festival.

People may argue that 2010 was the least strong headlining roster yet, but how can one ignore the very strong number of supporting acts on the bill!  The dilemma for most people is whether a festival should have amazing headliners, and the rest would just fall into place, or if the fest should have many good undercard bands.  What are your thoughts on the situation?

On Sunday evening, there was a man who looked very hippie-ish (dreads, a beard, very haggard looking) and was holding a sign saying that he had to bike back home a few hundred miles after the festival.  The sign said that “anything would help.”  One cannot avoid the very nomadic lifestyle that many true hippies decide to involve immerse themselves in, but he looked as though he had partaken in quite a few “recreational” activities throughout his weekend.  Those activities don’t come for free!  Is it really worth biking a few hundred miles to a festival where they spend more money being in an altered state than knowing how they’ll be getting home?  Those choices never made any sense to me.  Many would say that I’d understand if I lived that lifestyle, but I don’t.

As time progressed in the life of Bonnaroo, the bookers have brought in a more eclectic roster of bands, including a very heavy dose of college/indie rock.  Thus, Roo has been inundated with a flood of people that wouldn’t have necessarily attended the inaugural Bonnaroo.  Bands like Dave Matthews Band, Jay-Z, Kings of Leon, The Police, and even Metallica have headlined over the past few years.  There have been smatterings of jamminess with the likes of Phish, The Disco Biscuits, The Mars Volta, Widespread Panic and more, but they are becoming fewer and farther between these days.

“Recreational” activities have certainly made an about term with more and more college drinking games sprouting up all over the farm.  (We’re guilty as well.  We rock our pro beer pong setup every year.)  As a result, the General Stores at Roo have been charging 8 dollars for a pack of ping pong balls.  (Come the hell on.)  As we walked around the farm, we saw some great games and activities being enjoyed by walks of all life.  This fortified the fact that Roo is not just a music festival, but it is a living experience of what each person makes of it.

So what’s my verdict?

Sorry hippies… (or “hippies”)  Your scene has been overrun by a different generation of concert goers, and I definitely welcome the change.  If Bonnaroo would remain musically the same over the years, if would have no plan of growth.  I do feel as though Roo can use a bit of a Centeroo Facelift (the addition of the Lunar Stage was both genius and needed), but musically, Bonnaroo is making the right steps to a continuous musical progression.

Keep your fans on their toes, and they’ll be even more intrigued year after year;  no matter what social status they may fall within.  However, if there’s one thing for certain, the farm will always be saturated with the scent combination of patchouli, B.O. and dirt.

Admittedly, I’m not the biggest fan of Kings of Leon.  I do like their newest album, and a few other tracks, but had never gotten into them like B has.  “Kings of Leon is going to melt my face,” B said.  Hey, at least they’re not Dave Matthews… Oh.  Wait, they’re here too.  Oi.  On the other hand, I’ve been very intrigued by the odd pairing of Daryl Hall and Chromeo.  Hall and Oates is a band that you tend to forget about the legion of hits that they had put out over the years, until you hear them and think, ‘oh yeah… they wrote that too!’

So, back to the festival…  The heat has been brutal, the people have been crazy, and the music has been superb.  Friday’s action was non-stop with Conan O’Brian kicking off the day to thousands of people.  No, not just the lucky ones who made it into the tent, but to 10,000+ people watching him on the Lunar Stage screen.  It didn’t make any sense that he didn’t perform on the main stage.  His crowd would have been larger than Chris Rock’s.  Conan’s show was a mix of music and standup, which would have gone very well on a large stage.  Oh well.  The Train isn’t the show promoter.

Nas and Damian Marley tore it up midday.  They had a solid balance of solo songs as well as tracks off of their album.  We then swung over to She and Him, which had an enormous crowd.  Zooey can definitely sing her ass off.  There was a great chill vibe flowing through the crowd. Maybe it was the huge green cloud surrounding the tent.

Later, we headed to the Tenacious D set.  I was a bit skeptical about how they’d sound live, but they certainly proved me wrong.  The Kage Man and Jack Black can tear it up.  The show was extremely high energy, and the whole crowd was very into it.  Jack can sing much better than I had originally remembered.  I was extremely impressed with the entire show.

Next up were B’s boys, Kings of Leon…. (To be Continued)

The first night at Roo seemed fairly tame in comparison to years in the past.  The early Thursday lineup seemed weak, until Neon Indian at 8:30.  The crowds seemed very excited to be at any set on Thursday night, as their Bonnaroo dreams finally have been realized.

We checked out The Dodos at 9, and they had a great vibe going.  They give off a sense of being European, but they’re a “domestic product” of the good ol’ US of A.  The crowd was packed, and the side stage area was mobbed.  (I think the press and musicians had a bit of Bonnaroo Fever as well!)

The Dodos made us thirsty.  No, it wasn’t the steamy weather of Tennessee, but it made us want to pour some heavy libations.  So we did.  Quite a few.  As Excelsior chilled at our front row spot (again!) in front of the Bonnaroo Arch, we met and hung out with our neighbors and locals of Manchester.  Apparently, they have been camping next to us for the past few years, and one of the fine gentlemen offered us a few drinks of this fine “shine.”  We had a great conversation about the different types of “shine,” and how much it still paralleled the early days of prohibition.   From what I hear, we’ll be having another sampling this weekend!

So quite a few Moe-jitos later, we head off to The xx’s set.  MTT was slated to interview The xx, but unfortunately they had to cancel.  If you haven’t heard their album yet, I highly suggest that you get it immediately.  It’s a bit more chill than the tunes I usually listen to, but the album is top notch.  It’s a very stripped down and simplified sound, but the intimacy of the set was astounding.  They have replicated the sound of their album perfectly, and in the live setting, the sentiment of their music is magnified tenfold.  They are a must see if they swing through your area.

B and I finished up the night with Wale’s hip hop fiesta.  I just got into his music, and that guy can seriously throw down.  Great crowd command and high energy ran through his crew onstage.  His set was proof that you don’t necessarily need to be familiar with someone’s music to thoroughly enjoy their set.  I’ll definitely be adding Wale to my playlist when I get home.

By the end of the night’s music and mayhem, it was time to crash back at our tent.  The vodka induced slumber was poor, but at least we were getting a bit of rest.  If there’s one thing for certain, Bonnaroo is not for the weary or faint of heart.

Bonnaroo is a true test of will and strength.  Plain and simple, if you’re not a fan of the heat, roughing it, or mud, you shouldn’t be here.  It’s been steamy hot since we arrived, and mud is everywhere.  On Wednesday night, a monsoon hit Manchester, so we’re dealing with pretty harsh conditions.  I’m not complaining, but since there are a ton of first timer here this year, I’m just informing people to make the appropriate decisions when choosing festivals.

We figured that we’d “fly” to Manchester, and find a bar to watch game 4 of the Stanley Cup Finals.  Our boys, the Orange Crush aka the Philadelphia Flyers, were playing in game six.  Well, we underestimated our arrival time, and ended up streaming the game on my iPhone.  (No, I wasn’t watching the game while I was driving… Just listening)  The Flyers ended up losing on a shitty goal, which ended in one of the most sloppy ends to a season ever.  (Shit happens.  We’re Philly after all)

Finally, we got to our yearly destination of the Manchester Walmart, and it was MOBBED.  Beyond mobbed.  I haven’t seen the parking lot that packed in the four consecutive years that we’ve been here.  Usually, we’d crack open a few beverages and join in on the festivities, but we decided to skip that part, and just go shopping for our supplies then pass out for a few hours by the Bonnaroo Radio Station (Fantasy 101).

Mobs of people were already in line at 6am for Will Call and to pick up their credential.  Again, there was a much larger amount of people in line than I’d ever seen.  Was this a portent of things to come?  Did Dave Matthews and Kings of Leon triple the attendance for Bonnaroo 2010?  We’ll see very soon.

After we headed out on the road towards the farm, we were excited to see that traffic was flowing very quickly.  Maybe the Manchester Police finally had their shit together so the line of people would flow much more smoothly.  As soon as we got to the point where we’d start filing into the farm, we were directed down I-24 and away from the farm.

‘Maybe we’re just going to a different entrance this year.’

We could feel ourselves getting inside of the Bonnaroo gates in record time.  Looking around, there was an enormous line to the left of us.  ‘Maybe there’s an alternate entrance on our side of the road.  There’s no way that we could be part of that line.’ Finally, we arrived at the back of the line.  An hour later, we moved maybe a mile.  ‘Oh shit.  We’re low on gas!’ Eventually, we decided to get out of line so we wouldn’t be stranded.  Flying down the road, we were amazed to see that the line kept going, and going, and going, and going… FOR EIGHTEEN MILES!  Yes. 18.  On the wrong side of the road. 

Was the Manchester Police sending people totally away from the festival?  After all, the one officer told us that they had such traffic problems that they were forced to start a different pattern.  Finally, we fueled up and hit Subway for key eats.  There were several Bonnaroonians there who looked pissed off and confused.  They told us that the line on our side of the road was doing a huge loop around to the other side.  ‘What the fuck is going on??’ If we didn’t get out of line when we did, we definitely would have ran out of gas.  As a matter of fact, we saw at least 3 cars being pushed in line.  I wonder where those people are now!

Making a long story a bit shorter… We got back on the road doing 80 and flew towards the gates.  Team Excelsior doesn’t fucking lose, so we got in.  Quite quickly.  Honestly, I’d be very surprised if the people in the back of line (where we started) had made it into the grounds by 3am.  It was THAT long.

Once we got into the traffic checkpoint on the grounds, everything went very fast and smoothly.  Honestly, it was even better than years past.  At least Bonnaroo had their shit together!

So to everyone that sat in line for hours and hours and hours… Our hearts truly go out to you. Next year, the Manchester Police has to have a much better plan, or else Bonnaroo is going to suffer.  I wouldn’t be surprised if Roo loses a few thousand people next year because of this debacle.  You can’t blame Bonnaroo for this major organizational mishap, but heads have to roll somewhere.  The festival dumps tons of money into the local task forces and communities, so they need to treat all aspects of the festival like gold..

Feel free to leave your thoughts and comments on the site.  We’re looking forward to reading them!

Next:  On to better things… Thursday AT Bonnaroo!

Weds

2:00- We’ve been on the road for about three hours and we’re not making good time. I’ve contemplated throwing some of Moe’s shit out of the window to lighten the car. I’ve been listening to The xx for the past half hour, very chilled out (maybe a little too chilled out). It’s almost my turn to drive.

8:09- So my driving shift lasted a little longer than anticipated (finally back in shotgun). For some reason, even though we’ve made this journey three other times, I thought it was supposed to take 8 hours. I thought we’d miss the Flyers game but instead we’re streaming it from the phone!!

It’s that time of year again, and Moe Train’s Tracks is headed to Manchester, TN for the Bonnaroo Music and Arts Festival!  King B and The Train will be bringing you a totally new Tracks experience with this year’s coverage.  We’ll be blogging on the site as all of the action unfolds over the weekend, as well as getting great interviews with the fest’s top musicians, concert photos and more!

We embark on our trip from Philadelphia and will be arriving in Manchester, TN about 12 (ugh!) hours later.  Who knows what the road will hold for us, besides a ridiculously long time on Route 81 (that road SUCKS!), and pure Excelsior insanity!  Keep connected to the Tracks by following on Twitter (@MoeTrainsTracks), and watching the site for lots of great updates…

We’ll be camped out by the front of the Bonnaroo arch, so if you see us, come say hi!  If we’re not there, we’ll be bouncing around the grounds doing our artist interviews, taking in a ton of shows, and interviewing people in the crowds.  We plan on checking out as much of the festival as possible, and we hope to meet as many of you as possible!  If you have any great tips  about what’s going on at the festival, or just want us to come stop by and hang out.. Message us on Twitter, and we’ll try to stop by!

Bonnaroo has always been one of our favorite festivals to cover and we’re especially looking forward to spreading our Global Domination Tour to Manchester, Tennessee and Bonnaroo!

WE’LL SEE YOU ON THE FARM!!!  BONNNNARRRROOOOOOOOOOOO!

Related articles:

• Bonnaroo Live Webcasts (jambase.com)
• Why They Call It… Bonnaroo (spin.com)
• FREE ALBUM! SPIN’s Picks for Bonnaroo 2010 (spin.com)

B.o.B – The Adventures of Bobby Ray (7.7 out of 10)

When I first started writing my review for Bobby Ray it was every bit as analytical and overbearing all the other reviews that I had encountered.  And to be truthful, B.o.B. is 1. not lyrically gifted (pretty clichéd), 2. the type of “unconventional” hip-hop artist that is rapidly becoming the rule rather than the exception (see Kanye West, Lupe Fiasco, Kid Cudi, Wale, et al.), and 3. relatively unoriginal (i.e. the track, Kids, is such a flagrant Vampire Weekend rip that it’s damn-near a cover, and several times throughout the record he claims to be an alien, a la Lil Wayne, Kid Cudi, Outkast,…)  Yet, I came to a realization today as I was walking my dog around the city giving the album a fourth and final listen.

Against what I thought was my better judgement, I found myself singing along, putting some bounce in my step, and totally nodding my head; I realized I was completely feelin B.o.B.  Although most of his songs are contrived, they’re still incredibly catchy.  Magic, a track which features River Cuomo of Weezer fame, is undeniable fun.  Nothin’ On You is fashioned to be a number one single.  And with the support of cameos from Hayley Williams of Paramore, Eminem, Janelle Monae, T.I., Cuomo, and Lupe Fiasco, the album never ceases to keep you interested.

So, instead of dwelling on all the things Bobby Ray isn’t, I’ve decided to embrace what the album really is all about, elementary good times with hip-hop.  Sometimes you’ve just got to let go of the musical snobbery and in B.o.B’s own words, “toast to the good life and take a sip.”

- B

LCD Soundsystem – This Is Happening (8.5 out of 10)

LCD’s third album is nothing unforeseen, another laser-inscribed lamentation from the reigning analog-meets-digital maestro.  Murphy once again transcends the dance-punk genre, a style in which he is now a perennial figurehead.

What to listen for:

-major Talking Heads influences, check out Pow Pow

-Dance Yrself Clean- one of 2010’s best songs to date

-my only caveat- some of the songs drag-on a smidge (the average track is 7 minutes), not something that has worked well with my unrelenting ADD

- B

“The music is quite different,” says Kreutzmann. “It’s real groove-based. It has lots of percussion and electronics. It’s very danceable. It’s gonna be quite a mix up there.” Hart says, “This music will take you to a very special place, I think. It’s like a super friendly rhythm snake that has wrapped itself around the world a few times and now it’s coming our way. It’s electric; it’s got rhythm, has words and flies. It’s the Rhythm Devils.” Joining Hart and Kreutzmann in the Rhythm Devils for this tour will be Nigerian talking drum master Sikiru Adepoju, returning from the last RD tour in 2006, Back Door Slam’s Davy Knowles (guitar, vocals) and Andy Hess (bass). Plus one-man-band Keller Williams (guitar, vocals) makes his first run as a Devil, joining the band on select dates, as does The Mother Hips’ Tim Bluhm (guitar, vocals).

The Rhythm Devils name has its origins in the late ’70s. As Hart explains, “I remember Jerry looking at Bill and I one time. He shook his head and just said, ‘You guys are Rhythm Devils.’” But the 2010 incarnation of the Rhythm Devils is guaranteed to be unlike anything that’s come before—the dynamic mix of the musicians’ individual but complementary styles and approaches is sure to lead to some serious sparks. “It’s a great combination,” says Hart. “You have the deep trance music from Nigeria and West Africa that Sikiru brings to us and there’s Davy who at any moment just might rip the sky apart with his guitar and Andy Hess is a real gem of a bass player. Joining us for the first part of the tour is the ‘one man band’ Keller Williams and on the second part of our tour is Tim Bluhm, who will bring his ferocious California guitar style and beautiful vocals to the mix.”

While both Hart and Kreutzmann promise that the music will be percussion-driven, another factor contributing to the Rhythm Devils’ special mojo is the troupe’s repertoire: Not only will they be reconstituting some familiar Grateful Dead tunes in their unique way, but the Devils will also be performing numerous tunes written exclusively for them by Robert Hunter, the legendary songwriter whose collaborations with the late Jerry Garcia provided the Dead with their most beloved and durable material. “Robert Hunter is a major force in all of this. He has written his heart out in these new songs,” says Hart. “There will also be enormous, exciting electronic sections of pulsing, throbbing, beautiful zones. There are places and sounds still unknown and unborn that we will no doubt visit.” Kreutzmann and Hart have been inextricably entwined as partners since they first met in 1967, two years after the formation of the Grateful Dead with Kreutzmann the sole drummer. On that first night, they literally “played the city,” walking around San Francisco with drumsticks banging on everything in sight. Hart joined them immediately and except for a brief hiatus in the ’70s, the pair remained with the Dead until 1995, when Garcia’s death signaled the end of an era. Since then, Kreutzmann and Hart have continued to make music both together (most recently in The Dead) and apart, but they both agree that a special chemistry takes place when their percussive minds are in sync. “When we get together and we’re in the groove it’s a tractor beam,” says Hart. “Anyone around that will be drawn in. But we always thought of the Grateful Dead, and anything that we did together, as a work in progress. This too is a work in progress and that’s the best thing you could say. We’re looking to the future with this kind of music. In the Grateful Dead we created a body of work that we’ll not leave behind. But we also have an identity as the Rhythm Devils, and that’s who we’ll be.”

When they’re not working together as the Rhythm Devils, both Hart and Kreutzmann are involved in other projects. Kreutzmann plans to release a new album later this year with his other band, 7 Walkers, which features singer-songwriter Papa Mali (who has also been collaborating with Hunter on new material), multi-instrumentalist Matt Hubbard, and George Porter Jr. on bass. Among Hart’s recent endeavors is the tentatively titled Rhythms of the Universe, a project of enormous scope. Hart is currently working with leading scientists to capture raw light waves from Space and then transform those light waves into sound waves. Hart then uses those sounds to compose Universal music. Hart’s goal is nothing less than exploring what the universe really sounds like, from the Big Bang to the galaxies, to the stars and planets and beyond. But for both Kreutzmann and Hart, it’s the upcoming Rhythm Devils tour that’s got them most excited. “It’s part of my lifelong partnership, my 40-year rhythmic experience, with Bill Kreutzmann,” says Hart. “It’s time for Bill and me to get together and explore new rhythms and take it to the next level. We share a unique rhythm and we’ve got some great guys with us who we’re going to explore what it sounds like on this planet…star date; 2010.”

Rhythm Devils current tour schedule is as follows:

Friday, July 16 Arcata Theatre Arcata CA with Keller Williams

Saturday, July 17 String Summit North Plains OR with Keller Williams

Sunday, July 18 Britt Festival Jacksonville OR with Keller Williams

Thursday, July 22 Ogden Theatre Denver CO with Keller Williams

Friday, July 23 Steamboat Springs Concert Series Steamboat Springs CO with Keller Williams

Saturday, July 24 Spud Drive In Driggs ID with Keller Williams

Sunday, July 25 Red Butte Garden Salt Lake City UT with Keller Williams

Tuesday, July 27 Orpheum Theatre Flagstaff AZ with Keller Williams

Wednesday, July 28 Rialto Theatre Tucson AZ with Keller Williams

Thursday, July 29 Soundwave San Diego CA with Keller Williams

Saturday, July 31 Gathering of the Vibes Bridgeport CT with Keller Williams

Tuesday, January 4 – Sunday, January 9 Jam Cruise 9 Fort Lauderdale FL with Tim Bluhm

Sunday, January 9 Revolution Fort Lauderdale FL with Tim Bluhm

Part two of the summer tour still to be announced.

www.rhythmdevils.net

www.billkreutzmann.com

http://www.mickeyhart.net

August 1 – Boston – Bank of America Pavilion
August 2 – Philadelphia – Mann Center for the Performing Arts
August 4 – New York – Madison Square Garden
August 6 – Columbia MD – Merriweather Post Pavilion
August 9 – Nashville – Ryman Auditorium
August 11 – Atlanta – Verizon Wireless Amphitheater at Encore Park

SPOON is confirmed as special guest on the New York, Philadelphia, DC and Atlanta dates, which bookend the ARCADE FIRE’s  previously announced August 8 Lollapalooza appearance and the release of the band’s third full-length studio album, The Suburbs, out August 3rd on Merge.

ARCADE FIRE also announced yesterday that the band will play two very special intimate shows at Sherbrooke ONT’s Theater Granada on June 7 and 8. For a complete listing of upcoming ARCADE FIRE gigs, see below. Further dates will be announced as they are confirmed.

Written, arranged, performed and produced by the ARCADE FIRE and co-produced by Markus Dravs, The Suburbs was recorded around Montreal and New York over the past two years. A double A side, limited edition 12″ was released to record stores May 27th 2010, featuring the title track and “Month of May,” both of which are available for immediate download with album pre-orders placed at arcadefire.com.

Formed in Montreal, the ARCADE FIRE is Win Butler, Régine Chassagne, Richard Reed Parry, William Butler, Tim Kingsbury, Sarah Neufeld and Jeremy Gara.

ARCADE FIRE will donate $1 from every ticket sold to Partners In Health, an organization helping impoverished communities around the world combat disease and poverty. Please visit www.pih.org for more information.

www.arcadefire.com
www.PiH.org

ARCADE FIRE
LIVE 2010

7-June  Sherbrooke ONT – Theater Granada
8-June  Sherbrooke ONT – Theater Granada
30-June Rättvik, Sweden – Dalhalla
2-July  Tromøy, Norway – Hove Festival
4-July  Werchter, Belgium – Rock Werchter
9-July  County Kildare, Ireland – Oxegen Festival
12-July Quebec, Canada – Quebec City Summer Festival
13-July Ottawa, Canada – Ottawa Bluesfest
31-July    Montreal – Osheaga
1-Aug    Boston – Bank of America Pavillion
2-Aug    Philadelphia – Mann Centre for the Performing arts
4-Aug    New York – Madison Square Garden
6-Aug    Washington DC – Merriweather Post Pavilion
8-Aug    Chicago – Lollapalooza
9-Aug    Nashville – Ryman Auditorium
11-Aug    Atlanta – Verizon Wireless Amphitheatre
14-Aug    Toronto – Olympic Island
27-Aug  Leeds, UK – Leeds Festival
27-Aug  Reading, UK – Reading Festival
29-Aug  Saint Cloud, France – Rock En Seine
2-Sept   Bologna, Italy – I-Day Festival

Grammy Award winning roots-rock band Los Lobos has decided to cancel their scheduled performance at The Talking Stick Resort on June 10th, 2010. The band has made this decision based on the current call to boycott Arizona in response to SB 1070.
Through their management, Los Lobos issued the following statement: “We support the boycott of Arizona. The new law will inevitably lead to unfair racial profiling and possible abuse of people who just happen to look Latino. As a result, in good conscience, we could not see ourselves performing in Arizona. We regret the inconvenience this may have caused the Salt River Pima Maricopa Indian Community, Casino Arizona, Talking Stick Resort and our fans, but we feel strongly that it is the right thing to do.”

The members of Los Lobos are Steve Berlin, David Hidalgo, Conrad Lozano, Cesar Rosas and Louie Perez.

Personally, I think the recently passed Arizona law is absolute trash and an embarrassment to all that the United States stands for.  I’m all for the boycott of all things Arizona if possible.  As someone that’s been racially profiled, I’m proud of Los Lobos as they’re standing up for their beliefs.

- Moe

If there’s one thing for certain… Manchester, TN changes to one of the largest “cities” in Tennessee during Bonnaroo weekend.  With the changes in music, you not only have the hippies and the wookies, but you also have the scenesters, the indie kids, “fratboys,” and even some metalheads (GWAR!!!).   Some dig the changes and some don’t.  But then again, you have the choice.  Either you go, or you don’t.  Problem easily solved.

While at Roo, you’ll see some crazy shit.  Many people lose (or find) themselves.  Even more people just get lost in the virtual undulating sea of the Roo life.  For the most part, the people are good.  Some people are just there to take advantage or rip off the discombobulated.  (Yeah, I just used that word.)  You’ve gotta watch your ass a lot of the time while you’re there, but that will happen anywhere.  No matter what, you’re going to see things that you’ll see no where else in the world.

Keep an open mind, and your senses will quickly be overcome by the diversity of Bonnaroo’s people and culture.

- Train

Related articles:

• FREE ALBUM! SPIN’s Picks for Bonnaroo 2010 (spin.com)
• Ben & Jerry’s Launches New Flavor: Bonnaroo Buzz (shoppingblog.com)

There’s a main Shakedown as you make your way into Centeroo by the arch.  As you walk through this bustling center of free enterprise and opportunism at its finest, you’ll be surrounded by tons of interesting sights, sounds, and smells… Some good, some bad, and some that are downright repulsive.  Drum circles, tons of music (sometimes live), squishy ground, big slices of pizza, rings, hats, artfully created glass, and an myriad of wares are available for your sampling.  (Excelsior highly suggests that you sample each locations local wares!)  Rumor has it that there are other areas on the farm which have their own independent Shakedowns, but they’ve been known to move from year to year.

Do yourself a favor, and remember that Bonnaroo isn’t just a music festival.  It’s a music AND arts festival.  Go check out the many booths around the farm, and bring yourself home a few souvenirs!

A final tip:  If you really want to save a shitload on any purchases you make, hold off either until the last night of the festival, or the day you drive out.  You won’t believe how much money you’ll be able to save, since many vendors are desperately trying to unload as much product as possible!

Keep an eye out for King B and The Train, as we always hit up Shakedown several times during the festival!

- Moe

Nas & Damian “Jr. Gong” Marley – Distant Relatives (6.4 out of 10)

Maybe my expectations were too high; I mean, Damian Marley, spawn of my favorite musician ever (Robert Nesta Marley), and Nas, tied for my favorite rapper ever (big ups to Biggie Smalls).  What’s not to get excited about?!  I’ve already seen the duo live and I thought the show was great.  Something gets lost in translation on the album though.  You can easily acknowledge the underlying themes: roots, unity, African pride, championing tomorrow’s leaders, etc. (topics they certainly don’t beat around that bush about).  I don’t doubt that the duo are very passionate about the subject matter. Unfortunately, my impression is that Distant Relatives was recorded with only those common interests in mind, without taking into serious consideration how the two artistic styles would mesh.  Frankly, it all just sounds a little contrived.  And, while I do feel like Nas is (glaringly) the more talented of the two, neither artist can solely take the blame for the lack of cohesion in the album, because, in their own individual way, they both show up.  Frequently, the two simply don’t fit together within the confines of the songs (when Nas starts rapping over the top of some of the pure reggae tracks, it just sounds, for lack of a better word, silly).

– B.

Second Opinion -  Sorry King B.  I’ve gotta disagree on a few points.  I didn’t get to check out the Nas/Marley set at Rothbury, but I heard good things.  I’m also not the biggest hip hop head in the world, but Nas is the man.  Marley’s Welcome to Jamrock was a killer album, so I also had high hopes for Distant Relatives.

The vibe isn’t overly reggae, nor is too hip hop driven.  The Afrocentric album is in your face, and it works for the most part.  The pair trades off vocally in a primarily seamless fashion, though some tracks seem a bit off.  The use of Stephen Marley’s smooth delivery is an excellent (and IMO, underused) compliment to the album.  There are a few spots where the lyrics are kinda half-assed.  You’ll know it when you hear it.

As a whole, I’ve really enjoyed Distant Relatives.  Albeit a few lyrical cringes, I’ve been rockin’ this album out a lot since we got our hands on it.  I have a feeling that the crowds will be flocking to their sets, especially since people can be more familiar with their music through the album.

(8.1 out of 10)

- The Train

Related articles:

• Q&A: Nas and Damian Marley on Distant Relatives (arts.nationalpost.com)
• Singer Kelis and rapper Nas finalize divorce in LA (pbpulse.com)

Janelle Monae – The ArchAndroid (8.7/10)

I’d love to be a fly on the wall of Janelle’s abode.  Among other things, I bet I’d get to hear a diverse and eclectic variety of music: Etta James, Outkast, Keith Jarrett, Gnarls Barkley, Jackson 5, Lauryn Hill, The Mamas and the Papas, David Bowie, Jimi Hendrix, et al.  Her album, The ArchAndroid, is certainly an avant-garde, rhythm and blues fusion of many of those musical perceptions.  But don’t read into that incorrectly, Monae is an unapologetic capital-O-riginal.  To grow up as a Kansas City-born daughter to a drug-addicted father, an aspiring African American drama student living in Missouri, who moves to New York and then Atlanta to pursue her acting dreams and ultimately ends up collaborating with Outkast before moving back to NYC to pen a record deal with Diddy at Bad Boy/Atlantic, all before the age of 23; you must be some kind of paradigm.  Personally, I’m thrilled that she decided to go the singing route, because I find her musical vision both soulful and enjoyably quirky. You just cannot refute how refreshing it is to hear an upstart artist who is authentic, rolls with a true set of pipes, and completely owns it.

– B.

Related articles:

• WATCH: Big Boi Guests on New Janelle Monae Clip (spin.com)
• Watch: Janelle Monae Gives Amazing Performance of Tightrope on Letterman (beatcrave.com)
• VIDEO: Janelle Monae Kills It On “Letterman” (hellobeautiful.com)

having a feeling of guilt associated with me washing my hands (because I didn’t tip some complete stranger who’s been sitting on a stool next to the shitters all day and saved me from reaching an extra ten inches to dry my hands).  Plus, I already know where everything is: the stalls, toilet, TP, urinals, sink, towels/air-dryers, the door, etc.; it ain’t that difficult.  (I’m a big boy and I handle this little respite from my dinner all on my own, thank you.  I did not solicit you for assistance, sir!)

Have you ever walked into a restroom and you’re the only person in there with the attendant?  It is probably one of the most uncomfortable situations one can imagine; the uncomfortable greeting/forced conversation/awkward fair-thee-wells, him listening to the strength of your stream, and, god forbid, if you have to take a dump, you feel like Tom Arnold and Austin Powers, except you’re the only one dropping logs and he’s gotta sit there and accept that reality (“C’mon buddy, now bite your lip and give it hell!”).

Please, let’s just do away with that guy,  job recession or not.  Have him sell the gum and cologne just outside the door or something.  Just get his fresh-cloth peddling, mouthwash pushing, bell-hop-disguised ass out of the fuckin water closet so I can check my hair out in peace and quiet.

B.

Related articles:

• Pro Tips for Greening Commercial Restrooms (cleantechies.com)
• A call to arms: Reboot the public bathroom (crunchgear.com)
• Potty Parity Finally!! (dvorak.org)
• High-Tech Toilets: Amazing Bathrooms From The Future (PHOTOS) (huffingtonpost.com)

Paul Gray, the bassist of Slipknot, was found dead on May 24, 2010 in his Iowa hotel room.  Known as #2 or The Pig, Gray made a huge impact on the rock world through Slipknot’s musical contributions.  #2′s death follows very closely after the passing of Ronnie James Dio and Peter Steel of Type-O Negative.  People always say that things happen in threes…

We had the opportunity (and pleasure) to be in the photo pit during Slipknot’s Mayhem Festival stop in Camden, NJ.  Not only was it the first and only time we’d ever seen Slipknot, but was also hands down one of the most insane concert experiences ever.  We’d already been spit on my Marilyn Manson, shredded to death by Dragonforce, but Slipknot took the overall trophy that day.

The first thing that came into my mind as the curtains opened was, “what the fuck is going on?!”  Weird creatures crawling all over the stage, hydraulic lift drums, and mass insanity.  The music was brutally tight, and we were quite lucky to be in the safety of the photo pit… That was till they sent one of their goons running through the photo pit to break up the piece.  (I took a serious gut shot from a guy that must have been 6’7 350 lbs!  I didn’t care.  Sometimes I miss being in the pit!)

It was easy to suspend reality during their set as the music with the visuals seamlessly fused in musical madness.  We were literally leaning on the stage.  Corey Taylor kept spitting loogs all over the photographers (thankfully, I avoided it), and all the band members were in our face.  We had an extremely close view of very well calculated theatrics.  However, I can’t help but to think that those who were back in the crowd got the full sense of what transpired that night, not those in the guarded photo pit.

After our time was up in the photo pit, I quickly rushed to the other side of the pit and got into where the real maggots were crawling.  I didn’t know the history of the band, nor the words to any of their songs, but damn, they were bad ass.  It’s this lasting image that I have of #2.  Paul Gray was doing what he loved, to the people that loved him and his music.

His legacy lives in the music and all of the people he touched.

R.I.P. #2.

– Moe